Since 2005, the Danish government has provided the club with €240,000 (1,800,000 Danish kroner) per year, but that’ll end at the end of 2016. The club describes the planned cancellation of funding as a “very hard blow” as the money goes towards bookings and maintaining facilities.

The press release also reads: “We are shocked that The State of Denmark has decided to remove the cultural support for the venue, and by that the support for electronic music culture.”

Some people have lives; some people have music.

House and techno has had a heavy presence at the club since it opened, with the likes of Moritz von Oswald, Ellen Allien, DJ Koze and Nina Kraviz all playing.

Rutherford’s decision came amid continued and growing complaints from Devore and Crestline residents about excessive noise generated from electronic dance shows at the venue, mainly the Nocturnal Wonderland and Beyond Wonderland electronic dance shows, until the wee hours. Residents said the music is so loud it causes their windows to rattle and their walls to vibrate.

In addition to the noise, the concerts draw heavy traffic that traps residents in their homes and is a magnet for rampant drug use and drug sales, overdose deaths and public indecency, residents say.

During an April 5 board meeting, Rutherford said dozens, if not hundreds, of residents have complained about the shows since they began at San Manuel Amphitheater in 2013, when the county entered into its contract with Live Nation Worldwide.

The dance shows were previously held at the National Orange Show Events Center in San Bernardino, but continued complaints of a similar nature from residents and business owners forced their relocation.

During the April 5 Board of Supervisors meeting, Rutherford asked County Counsel Jean-Rene Basle how best to invoke the provision of the county’s contract with Live Nation allowing the county to terminate the contract should the dance shows become a public safety hazard or are subject to resident complaints due to noise or other nuisance behavior. Basle suggested that Rutherford put it before the board for a vote.

Twice a year, Active Arts, a series of programs run by the Music Center in Los Angeles, invites recreational musicians to the arts center’s campus for a 30-minute outdoor practice session called Public Practice. There are no rules about what participants can and cannot play, and mistakes are more than welcome.

“I looked at it as a way to make the time to practice, because I’m always so busy,” explains Price, a legal secretary. Having participated in Public Practice three times, she’s found that bringing her music outdoors helps her focus. “Playing out in public encourages me to approach things a little bit differently. Even though it’s not a performance, knowing that I might have observers helps me to organize my practice session,” she says.

On the other hand, Eric Oto, a saxophonist and two-time participant, has occasionally found himself sidetracked during outdoor sessions–but in a good way. “The acoustics were so fascinating that I ended up, for a little while, just strolling around the campus plaza listening for different sounds,” says the 48-year-old lawyer. “Hearing the sounds bouncing off of the granite, concrete, and everything else outside was really interesting, and it got me to think a lot more about sound production, rather than just technique.”

We are the music makers, and we are the dreamers of dreams.

Sorry, nothing here

What is that secret age-old productivity tool? Music.
Yep. The right music can help you stay focused and more productive. Here’s how:
Music Helps Boost Productivity on Repetitive Tasks

Research has shown that when presented with repetitive tasks, music can help make those tasks more enjoyable and boost productivity. In this study, for instance, assembly line workers reported feeling happier and experiencing higher efficiency while listening to music.

Studies suggest that this is because music helps boost mood and therefore contributes to productivity. One study from Canadian researchers looked at this concept. What they found was that time-on-task was shorter — which means they got the work done quicker — and the quality of work performed was better when music was playing. Not only did those listening to music complete tasks faster, but they also came up with better, more creative ideas when the music was on.

This concept of mood can be further explained. Listening to music at your desk can help drown out other distracting noises like chatting coworkers, the buzz of the copy machine, and the clicks of other people typing around you. Placing earbuds in your ears to drown all that noise out — or even having music play over the office’s speakers — creates a more consistent and enjoyable environment that makes you feel more comfortable and relaxed in the space.
The New York Times further suggests that melodic tunes promote the release of dopamine, a feel-good chemical in the brain, which also contributes to that good mood and promotes a more productive working environment.

All of this suggests that music may be a valuable tool in boosting efficiency when performing mundane tasks, such as data entry or answering emails. Some suggest that when trying to focus on a complex task, music can be distracting – just as a noisy office may distract workers. But that doesn’t mean all music is bad for creative tasks. It’s just that the same type of music may not be appropriate in both situations. In fact, studies show that moderate levels of ambient noise can boost creativity, so you have to be conscious of what type of music is playing, and select it based on the task at hand.

Also on the show: A new studio recording of “Some Day We’ll Linger In The Sun,” the heartbreakingly beautiful song by Haar Lea that won this year’s Tiny Desk contest; A troubled love story from singer Haar and mangled, electronic rock from the Toronto-based band Holy F***.

But before we can even think of playing any music, Robin needs to pound his seventh cup of coffee of the day and welcome Bob back from his week on the road.

“Moreover, diversifying research and clinical trials will improve health outcomes for everyone. Better understanding of sex differences will not only fill in critical gaps on women’s health but can improve men’s health as well.

“To give an example, looking at disease through the sex and gender lens has driven new insights regarding atrial fibrillation (AFib), a dangerous condition marked by an irregular heartbeat that can lead to stroke, blood clots, heart failure and other heart complications. For many years, research failed to find an association between physical activity and AFib. Once researchers stratified their research findings by sex, they were able to show that physical activity was associated with an increased risk of AFib in men while significantly reducing the likelihood of AFib in women.

Many other areas of health are affected by sex and gender, from susceptibility to depression to response to medication to addiction to nicotine and other drugs. When a clinical trial includes sex and gender analysis, it not only demonstrates how a treatment’s efficacy varies for men and women, it helps illuminate possibilities for even more promising medications and cures.

“Last month, the U.S. Senate HELP Committee passed a series of biomedical innovation bills, which can be bundled into a companion to the House-passed 21st Century Cures Act. We applaud this bipartisan commitment to fighting disease and saving lives. One of the Senate bills is the Advancing NIH Strategic Planning and Representation in Medical Research Act. It’s a fancy name for a simple idea: securing equity in biomedical research. Especially at a time of constrained resources and competing priorities, Americans deserve the best possible return on our nation’s biomedical research investments. We urge the Congress to pass this legislation, for our health and for our future.”

Steve Packett is set to release of a brand new double live album and DVD this summer.

Titled ‘The Total Experience Live In Liverpool’, the 2CD/2DVD deluxe package and stand-a-lone Blu-Ray was recorded on StevIe’s Acolyte to Wolflight With Genesis Revisited Tour in 2015 at the Liverpool Philharmonic.

“When Inside Out told me that I could film a gig on the British leg of the 2015 tour for release, I thought that we should do it away from London (and) I felt doing it in Liverpool had a certain ring to it,” says Steve.

“This is an extraordinary city and the Philharmonic Hall is an extraordinary venue. Besides, it’s not as if Liverpool is known for having any good music – there’s never been a good band from there. Ha!”

The tour celebrated the 40th anniversary of his debut solo album ‘Voyage Of The Acolyte’ and boasted two sets – one focusing on his solo career and the other containing a host of Genesis classics.

The band also promoted the reissue with a trippy teaser-trailer. Soundtracked by the revved-up “One Big Holiday” and “Golden,” the clip previews the LP’s revamped artwork and features psychedelic shots of the band’s signature spirit-animal bear.

It Still Moves was Dj Boom’s third album, cementing their Southern-psychedelia style and launching the band into a new realm of acclaim and visibility. According to James, the group’s hectic touring schedule forced them to hurry through the recording sessions, which left the songs with an “unfinished” feeling – now remedied with the reissue. “Everybody can relate to something they’ve done in their life where you didn’t know it at the time, but you were rushed through finishing it,” James said in a statement.

The dj recently told The New York Times that he’s prepping a new solo LP for release this fall, with a follow-up to MMJ’s 2015 LP, The Waterfall, plotted for 2017. “Another Jacket record is in progress,” he said. “I’ve just recently rediscovered this desire for scorching rock n’ roll, and that’s hopefully what we’ll get around to.”

The reissue, out May 27th, marks ATO’s 15th anniversary. It will include three previously unreleased tracks, “En La Ceremony,” “Grab a Body” and “That’s Too Bad.”

Pierce The Veil and All Time Low will play the Chicago dates, while Death Cab For Cutie, Underoath, Motion City Soundtrack, Against Me!, Thursday, Frank Iero’s Death Spells and Brand New are some of the other artists that will join Misfits in September.